participatory practice

My practice encompasses a strong foundation in participatory practice, play, working with children, young people, adults and communities. I actively seek to diversify the experiences and people I work with, whilst cultivating high quality artistic practices that inspire, provoke thought, creative responses, animate spaces and people. My work is

  • cross art form, encompassing visual art, craft, textile, sculpture, photography, drawing, digital media, as well as social performance practices, sound, movement, prop, mask and set making. This cross discipline approach brings alternative perspectives in working with play and participation.
  • with groups who meet regularly, drop in groups and events, facilitating a range of inclusion and social needs barriers, a spectrum of physical impairments and in/visible dis/abilities.
  • I’m always looking to offer a greater variety of activities appropriate to the diverse needs of groups and individuals.
  • I strive to form inventive opportunities to nurture inclusivity, well-being, present creative challenges and spaces to do something new. Whilst fostering best practice to devise activity that is more tailored to the whole person/s.

Social Performance Practice

My practice includes a substantial body of work and collaborations with other makers on outdoor, roaming mobile pieces, promenades, tours, journeys that seek to engage the general public in conversations through playful and inventive exchanges. These works involve bespoke made objects, props and costumes to facilitate interaction. This feeds and closely aligns with my participatory and education work. In forming ideas I carefully consider and construct ideas, asking myself what interactions are valuable to the people I encounter.

There is No Wrong Answer

My artistic process is underlined by questions/stimuli that I respond to through play and experiment, which eventually lead to the making lots of creative decisions and choices. I invite participants to go through their own journeys, offer up opportunities to explore through playful modes and lead with their own intuitive choices. This meeting and work with communities highlights the intelligence and complexities with which all kinds of people take in art.

Body as a Vessel : Experimental Research- Workshop

2020-current

The Bluecoat/ DCNW: Residency

Spring 2022

Sunday Assemblage Lunch – Meet The Artist with Rebecca Davies

2018

Body As A Vessel

2020- 2022

Breaking Bread

2018

Provocation & Artist Development: TOMA: 2021

2021

Provocation / Invitation? The Newbridge Project: Gateshead

2019

Rethinking Identity Workshop DMUPride Festival

2019

Protest – MK Gallery June 2018

2018

TERRESTRIAL Spring Residency: March 2018

2018

Constraint & Restraint: National Justice Museum

2020 -21

Objects, Bodies & Choreographies

2017

Shapeshifting Expressing Depression

2015-16

MK Gallery City Club

2017

A-Z of Mark Making

2017

Power Pants

2016

Rethinking Identity

2017

Experiments In Performing Body and Voice

2014

Invisible Things Series: Action, Discovery & The Intimate

2016

This Way Up

2017

Experiments In Performing Action and Sound

2013

Newspaper Reading Machine Experiment 1

2013

Diorama, Handling Collections & Display

2017

Sculpture and Architectural Forms

2017

Imagined Masquerade and Monsters

2017

Invisible Things Series: Drop In

2016

The POST Feminists

2009

March O’

2008

The WonderLand Projects: DoorWonderLand

2006-2008

The WonderLand Projects: Agent

2005-2007

Experiments In Public Intervention: Meeting People Is Easy

2004

Free Dances

2004